Avion en papier
Origami Instructions Free Online Plan also shows the results graphically of moving away from the 'purest' form of Origami in all the eight directions. In some cases I have marked the art as 'open-ended', for example paper-cuts.
By this I mean that we will no longer have a shut down system typical of Origami where a procedure exists to create a model and can return to the starting point. It is arguable that it is the closed-system through which can some- how break, that is the real characteristic of Origami. ShapingRegular figures such as triangles, pentagons are well established for Origami.
Kent du Pre has done Bateau En Papier Mode D'emploi such work with Symmetric figures such as stars from which flowers can be folded away. Irregular figures have appeared occasionally, but the most extreme form only occurs in Paper Miracle with Rolf Harris's models. Silhouettes have no restrictions in the Origami sense and are of course carefully related to paper trimming. In its simplest form cuts are made earlier to folding in a symmetric and planned way which will 'open up' the material available without the need for excessive density. The most recent point out of the techniques is by Toshie Takahama who refers to it as Kirikomi and distinguishes it as typical of very early Japanese Origami.
Origami Avion En Papier Qui Vole Bien Facile A Faire fleur
Uchiyama is reported as acquiring a patent in 1908 for 'KOKO'. style origami which appears to be the same in idea. Japanese books are packed with slitting to achieve ears or a tail or even legs. Perhaps one of the most celebrated examples of theme 'slits to avoid folding' is in Fred Rohm's Circus pony in which 2 cuts are made, one for the ears and the other to offer enough points for the legs. Rohm folded his Circus pony without cuts but the technique is then much more complex. Thus we have 2 motives for cutting appearing here; one to create new opportunities and the other to avoid the complexities of a model achieved exclusively by folding.
Inside a corner of the Livelihood Industry Pavilion at EXPO', electricity was used to make Origami pigeons flap their wings. Modelling That is now usual in animal folds to call for a final modeling particularly if foil has been used and one can make sure of the materials remaining in place. A modern example of this is in Pat Crawford's models. Neal Elias who probably led the move in the West to THREE DIMENSIONAL insists on any modelling following the folding The thought of wetting the paper seems to be Japanese in origin was demonstrated by Yoshizawa at Bateau En Papier Facile a Convention in Liverpool. Another method of moist moulding using paste in the preparation is talked about by Alice Gray the lady was shown it by Yoshizawa during a visit to Japan. The folds tend to be smooth and we are approaching sculpture rather than Origami.
Bateau en papier
The associated arts are Weaving and Macrame which are open-ended. However string we can have 'Cats Cradles' which is a closed-systems game with direct analogies to Origami. Multi-layer Toshie Takahama has produced some superb examples of this variation of Origami. The sheets of paper are folded together but usually opened at the conclusion to show the multi-layers usually with different colours. In flower folding and possible doll-making the multi-layer technique is exploited for the own sake with little or no folding included. Multi-Part Isao Honda (15) was probably the first to write techniques involving 2 separate sheets of document each folded to symbolize some part of the pet and then brought together. The theory may well be traditional; if not in the way Honda uses it - see for example the Pagoda in Paper Miracle. Recently kits have made an appearance for folding a dragon from a number of pieces of different sizes.
Comment faire un avion en papier
Inside the most extreme mixtures of water and paper we
are, naturally , in the world of papier-mache which is plainly an open-ended art. DecoratingThe simplest step from the single color is one side female and one white or plain. A great deal of modern Origami intrusions this colour difference. The delightful example is Mary Homewood's Robin. We can use the texture of our material which need not even be foil or paper. Neal Elias collects patterned foil and has shown models in 3 colours which rely after selecting the most appropriate pattern and cutting his material to get the colour exactly where he wants them. A more restricted form of decoration occurs in Japanese papers which are Avion En Papier Qui Vole Le Mieux Au Monde already printed with a design ideal for a unique model. The end of this process is evidently the decoration of the final model and so into the decorative art proper which is open-ended. Lengthening Simply by stretching our square we obtain rectangles then bows and finally string.
Fleur en papier
The cutting out of holes and so forth. to indicate eyes and so on is sometimes found in Japanese books and we are obviously dealing with a approach which is becoming open-ended. When we fold in a symmetric way to prepare our paper for cutting the folding has obviously become secondary (2). Honda has called this kind of paper-craft Le Bateau En Papier Qui Flotte Sur L'eau Mon-Kiri (which means crest-making). The last step in the slitting or cutting is paper-cutting, some of the finest examples are most likely from China and obviously here we have an open-ended Talent. Supporting A way of moving away from the 'pure' central form is that of supporting or adding display mechanics to the models. In its most basic form we might use stuff, staples or 'blue tac' to hold an auto dvd unit in the desired pose and position. Or we may use wiring or credit card. The most unusual form of 'display mechanics' that I actually am familiar with is by Toyoaki Kawai.